Papa Charlie Jackson (November 10, 1887 – May 7, 1938) was the first bluesman to record, beginning in 1924 with the Paramount label, playing a hybrid banjo-guitar (six strings tuned like a guitar but with a banjo body that gave it a lighter resonance) and ukulele. And apart from his records and their recording dates, little else is known for sure about this pioneering blues performer, other than his probable city of birth, New Orleans; even his death in Chicago during 1938 is more probable than established fact.
Jackson spent his teen years as a singer/performer in minstrel and medicine shows, picking up a repertory of bawdy but entertaining songs that would serve him well for decades. He is known to have busked around Chicago in the early '20s, playing for tips on Maxwell Street, as well as the city's Westside clubs beginning in 1924. In August of that year, Jackson made his first record, "Papa's Lawdy Lawdy Blues" and "'Airy Man Blues," for a Paramount label. He followed this up a month later with "Salt Lake City Blues" and "Salty Dog Blues," which became one of his signature tunes; he later re-recorded this number as a member of Freddie Keppard's Jazz Cardinals, also for the Paramount label, a common practice in those days as the notion of contracts and exclusivity was almost unknown in blues recording. Jackson made his first duet records in 1925, "Mister Man, Parts 1 and 2," with singer Ida Cox, again for Paramount, and later cut duets with Ma Rainey and future Oscar-winning actress Hattie McDaniel.
He was already regarded as one of the Paramount label's more successful recording artists, and all but a handful of his recordings were done for Paramount over the next decade. Jackson had a wide diversity of material and voices in which he recorded: "Good Doing Papa Blues" and "Jungle Man Blues" presented Jackson as a ladies' man in playful settings; while "Ma and Pa Poorhouse Blues," cut in a duet with Ma Rainey, was a far more serious song, dealing with poverty and its attendant miseries. "Don't Break Down," by contrast, was a seductive love song with pop elements, while "Baby Please Loan Me Your Heart" -- with its exquisite banjo strumming -- is a sweetly romantic piece that could've come out of vaudeville. Whether he was strumming or finger-picking, his music was always of interest for its structure, content, and execution.
Jackson reached a musical peak of sorts in September of 1929 when he got to record with his longtime idol, Blind (Arthur) Blake, often known as the king of ragtime guitar during this period. "Papa Charlie and Blind Blake Talk About It" parts one and two are among the most unusual sides of the late '20s, containing elements of blues jam session, hokum recording, and ragtime, with enough humor to make it the 1920s rival of tracks such as Bo Diddley's "Say Man" as well. More is the pity that better sources haven't survived for both sides, but what is here is beyond price; there may not be a dozen guitar records in any genre that are more important or more fascinating.
Jackson switched to guitar on some of his late-'20s recordings, and occasionally played the ukulele as well, although he was back to using the five-string hybrid in 1934, when he cut his final sessions. For reasons that nobody has ever established, he parted company with Paramount after 1930, and never recorded for the label again, even though Paramount lasted another two years before going under amid the hardships of the Great Depression. His last sides for the label, "You Got That Wrong" and "Self Experience," were highly personal songs dealing with romance and an apparent brush with the law, after which he disappeared from recording for four years. Jackson continued performing, however, and he returned to the recording studio again in November of 1934 for sessions on the Okeh label, including three songs cut with his friend Big Bill Broonzy, which were never issued. Jackson was an important influence on Broonzy, who outlived his mentor by 20 years.
Papa Charlie Jackson remains a shadowy figure, considered a highly influential figure in the blues, though not quite a major blues figure, apart from the fact that he was the first male singer/guitarist who played the blues to get to record. His recordings are all eminently listenable, although most are not blues, but fall into such related areas as ragtime and hokum.
Volume 1
01 - Papa`s lawdy lawdy blues
02 - Airy man blues
03 - Salt Lake City blues (take 2)
04 - Salty dog blues (take 2)
05 - The cats got the measles
06 - I got what it takes but it breaks my heart to give it away (take 2)
07 - Shave `em dry (take 2)
08 - Coffee pot blues (take 1)
09 - Mister man - part i (take 2)(duet with Ida Cox)
10 - Mister man - part ii (duet with Ida Cox)
11 - Shake that thing (take 2)
12 - The faking blues (take 2)
13 - I`m Alabama bound
14 - Drop that sack
15 - Hot papa blues (take 2)
16 - Take me back blues
17 - Mama don`t allow it (and she ain`t gonna have it here)
18 - Mama, don`t you think I know? (take 2)
19 - How long daddy, how long (Ida Cox, vocal)
20 - Maxwell Street blues
21 - All I want is a spoonful
22 - I`m going where the chilly winds don`t blow (take 2)
23 - Texas blues (take 1)
24 - Texas blues (take 2)
25 - I`m tired of fooling around with you
26 - Jackson`s blues
27 - Let`s get along
Volume 2
01 - Mumsy mumsy blues (take 2)
02 - Butter and egg man blues
03 - The Judge Cliff Davis blues
04 - Up the way bound (take 1)
05 - Up the way bound (take 2)
06 - Four eleven forty four
07 - Your baby ain`t sweet like mine
08 - Bad luck woman blues
09 - Salty dog (take 2) (with Freddie Keppard's Jazz Cardinals)
10 - Gay cattin` (take 2)
11 - Fat mouth blues
12 - She belongs to me blues
13 - Coal man blues
14 - Skoodle um skoo
15 - Sheik of Displaines Street
16 - Look out papa don`t tear your pants
17 - Baby don`t you be so mean
18 - Bright eyes
19 - Blue Monday morning blues
20 - Long gone lost John
21 - I`m looking for a woman who knows how to treat me right
22 - Ash tray blues
23 - No need of knockin` on the blind
24 - I like to love my baby
25 - Baby - papa needs his lovin`
26 - Lexington Kentucky blues
Volume 3
01 - Good doing papa blues
02 - Ma and pa poorhouse blues (duet with Ma Rainey)
03 - Big feeling blues (duet with Ma Rainey)
04 - Jungle man blues
05 - Corn liquor blues
06 - Don`t break down on me
07 - Baby please loan me your heart
08 - Dentist chair blues - part 1 (duet with Hattie McDaniels)
09 - Dentist chair blues - part 2 (duet with Hattie McDaniels)
10 - Hot papa blues - no. 2
11 - We can`t buy it no more
12 - Tailor made lover
13 - Take me back blues no. 2
14 - `tain`t what you do but how you do it
15 - Forgotten blues
16 - Papa do do do blues
17 - I`ll be gone babe
18 - Papa Charlie and Blind Blake talk about it - part i
19 - Papa Charlie and Blind Blake talk about it - part ii
20 - You got that wrong
21 - Self experience
22 - Skoodle-um-skoo
23 - If I got what you want
24 - What`s that thing she`s shaking?
25 - You put it in, I`ll take it out
