Showing posts with label Fats Domino. Show all posts
Showing posts with label Fats Domino. Show all posts

Fats Domino - I've Been Around: The Complete Imperial and ABC-Paramount Recordings (12 CD, 2019/FLAC)


 Like the great Louis Armstrong before him, Fats Domino was a perfect ambassador for New Orleans music.

Even at the height of the mid-‘50s rock and roll explosion, when Elvis and Chuck Berry were scaring the bejeezus out of parents with their primal rhythms and suggestive stage antics, Fats was a cherubic presence when seated behind a piano with a sweet smile on his face and a fat horn section by his side. No wonder he was one of the era’s most prolific and universally accepted hitmakers; with trumpeter/bandleader Dave Bartholomew as his co-writer and producer, Domino unleashed an incredible run of hits on Imperial Records that were irresistible to teenagers and their parents alike. Fats always did the Crescent City proud.

Domino, who died at the age of 89 in his beloved home in Harvey, Jefferson Parrish in New Orleans, Louisiana, at night on the 24th of October 2017, had been ailing in recent years after surviving the wrath of Hurricane Katrina in 2005 (he had to be rescued from his Ninth Ward home, which was utterly devastated). But prior to his health woes, Fats never stopped rocking like it was 1957 all over again, always fronting a rollicking band soaked in second-line rhythms and jabbing horns. Domino never seemed like he was just going through the motions; whenever he launched into his raucous set closer When The Saints Go Marching In, it was instant Mardi Gras time.

Fats Domino - Out Of New Orleans (8 CD, 1993/FLAC)

 

An amazing piece of work -- a massive eight-disc boxed set that contains every one of Fats Domino's 1949-1962 Imperial waxings. That's a tremendous load of one artist, but the legacy of Domino and his partner Dave Bartholomew is so consistently innovative and infectious that it never grows tiresome for a second. From the clarion call of "The Fat Man," Domino's 1949 debut, to the storming "Dance with Mr. Domino" in 1962, he typified everything charming about Crescent City R&B, his Creole patois and boogie-based piano a non-threatening vehicle for the rise of rock & roll. A thick, photo-filled book accompanies the disc, and there's an exhaustive discography that makes sense of Domino's many visits to Cosimo Matassa's studios.