Blue Floyd - Live In Detroit (3 CD, 2014/FLAC)
Wish You Were Here : Another One for Woody - benefit show 2010-11-22 NY [FLAC]
Warren Haynes and members of the extended Gov’t Mule family celebrated the life and musical legacy of bassist Allen Woody. The Another One for Woody benefit show took place at New York’s Roseland Ballroom—the same venue that hosted the original One for Woody benefit a decade ago—and raised money for music education in public schools.
Remembering Allen Woody (1955-2000)
Douglas Allen Woody (October 3, 1955 – August 26, 2000) was an American bass guitarist best known for his eight-year tenure in the Allman Brothers Band and as a co-founder of Gov't Mule.
In addition to helping revitalize the Allman Brothers during the late '80s, bassist Allen Woody helped co-form one of the '90s finest southern-retro rock acts, Gov't Mule. Born Douglas Allen Woody on October 2, 1956 in Nashville, Tennessee, Woody picked up both the mandolin and bass guitar at a very young age. Inspired by such bassists as Mountain's Felix Pappalardi, Cream's Jack Bruce, and Hot Tuna's Jack Casady, Woody began playing in local bands, and eventually majored in music at Middle Tennessee State University. It was through a job as a salesman at Nashville's famed Gruhn Guitar Store that Woody became friendly with several renowned musicians passing through the area, which led to an invite to join the Artimus Pyle Band (led by the ex-drummer of Lynyrd Skynyrd). Through his association with the Pyle Band, Woody became friendly with Butch Trucks of the Allman Brothers Band, who suggested that he try out for the group, who were in the process of reforming during the late '80s. Woody got the gig, as he toured and appeared on such releases as 1990's Seven Turns, 1991's Shades of Two Worlds, 1992's Evening With the Allman Brothers Band: First Set, 1994's Where It All Begins, and 1995's Evening With the Allman Brothers Band: 2nd Set. It was during his Allman association that Woody befriended fellow bandmate/guitarist Warren Haynes, which led to talk between the two of forming a side band - specializing in blues-based heavy rock (a la Mountain, Cream, Led Zeppelin, etc.). With drummer Matt Abts signed on as well, the trio took the name Gov't Mule, and issued their self-titled debut in 1995. But what was originally thought to be a side band soon took on a life of its own, and both Woody and Haynes handed in their resignations to the Allmans. Gov't Mule continued to solidify their standing as one of the U.S.' top blues-based hard rock acts, with such further releases as 1996's Live at Roseland Ballroom, 1998's Dose, 1999's Live with a Little Help from Our Friends, and 2000's Life Before Insanity. But just a few months after Gov't Mule's latest studio offering, Woody was found dead on Saturday, August 26th, 2000, in his hotel suite at the Courtyard Marriott Hotel in Queens, New York. After his passing, a fund was set up for Woody's young daughter, The Savannah Woody Educational Fund, while the surviving members of Gov't Mule decided to carry on. The group's next release, The Deep End: Vol. 1, including several different renowned bassists filling in for their late friend, while Woody himself made a posthumous appearance on a previously unreleased cover of Grand Funk Railroad's "Sin's a Good Man's Brother." In addition to his work with the Allman Brothers and Gov't Mule, Woody also guested on a few recordings by other artists, including Little Milton's Welcome to Little Milton and Kevn Kinney's Flower & the Knife.
Rising Low is Mike Gordon's second feature film – a documentary based on the life and death of Gov't Mule bassist Allen Woody and the making of a double-disc tribute album featuring a host of legendary bass players. Throughout the film, Gordon interviews Woody's family and bandmates and also discusses the philosophy and technique of bass playing with a number of the instrument's legends, including Chris Squire, Les Claypool, John Entwistle, Flea, Bootsy Collins, Mike Watt, Roger Glover and others.
Gov't Mule - Live At The Cotton Club, Atlanta, GA, February 20, 1997 (2021) FLAC
Gov’t Mule released Live At The Cotton Club Atlanta February 20, 1997 via Evil Teen Records. The live album is the third in the renowned rockers’ digital-only live archival series.
Gov't Mule, Allman Brothers Band, North Mississippi All-stars - Another One for Woody - 11/22/2010 New York, NY (FLAC/320)
Ten years after One For Woody, late bassist Allen Woody’s musical family re-assembled at New York’s Roseland Ballroom for Another One For Woody. The emotional high point of the evening came when Woody’s daughter, Savannah, came out with Gov’t Mule to sing Soulshine…
Gov't Mule - Live at the Cotton Club, Atlanta, GA, February 20, 1997 (2021)
Gov’t Mule has released a new live album, Live At The Cotton Club / Atlanta / February 20, 1997, the third release in their streaming-only series via Evil Teen Records. The brand-new live release features Gov’t Mule’s original line-up and was recorded in Georgia where the band was formed by front man Warren Haynes and bassist Allen Woody, as a side project of The Allman Brothers Band when they were off tour, and drummer Matt Abts. The fun side project filled the void of experimental rock power acts and have since gone on to showcase their virtuosity, intelligence, and breadth over the course of their decades-long career as one of the most timeless and active bands in the world. Live At The Cotton Club features a mix of songs from Gov’t Mule’s 1997 self-titled debut album and 1998 sophomore album, Dose, as well as covers of songs originally by Sonny Boy Williamson, Memphis Slim, Tom Waits, and more.
The Black Crowes - 1996/12/15 Las Vegas, NV
Dec 15 1996
The Joint
Hard Rock Hotel,
Las Vegas, NV,
The Black Crowes on the final night of their 1996 Fall tour promoting ‘Three Snakes & One Charm.’ Their opening act on that tour was Gov’t Mule. One can sense the boys wanted to go out with a bang and their set here is heavy on some prime covers. Among them a rollicking ‘Jailhouse Rock’, a fine cover of ‘Feelin’ Alright’, The Allman Brothers’ ‘Dreams’ (featuring some searing slide work from Warren Haynes), Ry Cooder’s ‘Boomer’s Story’ (featuring Allen Woody on mandolin) and a triple Stones encore to finish off the show in a blaze of glory.