Showing posts with label Alexis Korner. Show all posts
Showing posts with label Alexis Korner. Show all posts

Alexis Korner - Kornerstoned : The Alexis Korner Anthology 1954-1983 [2 CD, 2006/FLAC]


 Although his name may not be as instantly recognizable stateside as Eric Clapton, the Rolling Stones, or Led Zeppelin, Alexis Korner played an enormously large role in helping launch the British blues explosion of the '60s. After all, such soon-to-be household names as Mick Jagger, Keith Richards, Ginger Baker, and Robert Plant either recorded with Korner, or credit the singer/guitarist as an early inspiration to follow their blues calling. The double-disc. 40-plus-track Kornerstoned: The Anthology 1954-1983 chronicles Korner's entire recording career, from Alexis Korner Skiffle Group in the early '50s, to fronting various bands later in the '50s and throughout the '60s (as Alex Korner's Blues Incorporated, Alex Korner's Blues All Stars, etc.), all of which are included here. Individual standouts include the recently unearthed "Steal Away," which features a 20-year-old Robert Plant (evidence that he had his whole "shrieking sex god" thing down -- even pre-Zeppelin), as well as a laid-back yet funky cover of Curtis Mayfield's "Mighty-Mighty Spade & Whitey" (credited to New Church), which features Free's then-lead singer Paul Rodgers on vocals. Also included is a mostly instrumental cover of Led Zeppelin's "Whole Lotta Love" (which long served as the theme music for the popular British TV show Top of the Pops), as well as another laid-back funk-rock cover, "The Gambler." Kornerstoned: The Anthology 1954-1983 is a fitting testament to one of rock's most oft-overlooked yet important figures.

 


Alexis Korner`s Blues Incorporated - Alexis Korner's All Stars (Red Hot From Alex) [1964/1969/FLAC]

 

Reissue of 1964 LP titled 'Red Hot From Alex', 


One of Alexis Korner's better and more obscure albums, Red Hot From Alex, features the 1964 version of Blues Incorporated, supported by alumnus Dick Heckstall-Smith on tenor sax on a handful of tracks, recreating their live sound in the studio. The results are reasonably successful, the group at times achieving a fairly intense, swinging ensemble sound that, at its best, carries an infectious level of excitement. This band's sound is a lot slicker throughout than that of the version of Blues Incorporated that played the Marquee Club in 1962 and 1963 and left behind the album R&B From The Marquee.