The Velvet Underground - Bootleg Series Vol.1 - The Quine Tapes (3 CD, 2001/FLAC)

Prior to this release, only a few "official" live Velvets releases existed: the incredible double-disc set 1969 and the tour documents from their mid-90s reunion being the most readily available. And then there's the dreadful Live at Max's Kansas City, which, while allegedly Reed's documented last stand with the group, is of interest only to those with dire historical interest or those with a need to hear table conversation revolving around drug scores. So now, with The Quine Tapes, the innocent public can finally find out what those confounded bootleggers have been shouting out for nearly thirty years: the Velvet Underground live on stage were a staggering dynamic presence, unpredictable and explosive. 


Disc 1

01. I'm waiting for the man (November 8, 1969) (7:47)
02. It's just too much (November 8, 1969) (4:11)
03. What goes on (November 8, 1969) (8:29)
04. I can't stand it (November 8, 1969) (6:23)
05. Some kinda love (November 8, 1969) (4:51)
06. Foggy notion (November 8, 1969) (4:45)
07. Femme fatale (November 7, 1969) (3:17)
08. After hours (November 8, 1969) (3:06)
09. I'm sticking with you (November 8, 1969) (2:51)
10. Sunday morning (November 9, 1969) (2:59)
11. Sister Ray (November 7, 1969) (24:03)
All tracks recorded at The Family Dog, San Francisco

Disc 2

01. Follow the leader (November 27, 1969) (17:09)
02. White light/white heat (December 1, 1969) (10:06)
03. Venus in furs (December 1, 1969) (5:17)
04. Heroin (November 23, 1969) (8:14)
05. Sister Ray (December 3, 1969) (38:01)
All tracks recorded at The Matrix, San Francisco

Disc 3

01. Rock and roll (November 25, 1969) (6:52)
02. New age (November 24, 1969) (11:21)
03. Over you (November 25, 1969) (2:44)
04. The black angel's death song (November 23, 1969) (5:56)
05. I'm waiting for the man (November 27, 1969) (11:39)
06. Ride into the sun (November 24, 1969) (11:14)
07. Sister Ray/Foggy notion (May 11, 1969) (28:43)
All tracks recorded at The Matrix, November 1969 except for track 7, recorded at Washington University, St. Louis.