Pink Floyd - Discovery Boxset [14 studio albums remastered, 2011] (FLAC + 320)

 Since 1967 Pink Floyd have produced one of the most outstanding and enduring catalogues in the history of recorded music. All 14 original Studio albums have now been painstakingly digitally remastered by James Guthrie (co-producer of The Wall), and are reissued with newly crafted packaging and booklets created by the band’s long-time artwork collaborator Storm Thorgerson.

The Discovery editions collect the band's original 14 studio albums, newly remastered for 2011. They were released worldwide on 26 September 2011. The albums can be purchased individually or in a box set which also includes a 60-page book designed by Storm Thorgerson. All albums feature newly designed booklets and CDs. Many of the album covers have been modified to be textless (in 2016 the same remasters were reissued under Pink Floyd Records label and all modifications to the covers were reverted; the discs also got their previous artwork instead of "Discovery" logo from 2011 issues).

•     The Piper at the Gates of Dawn (1967)
•     A Saucerful of Secrets (1968)
•     More (1969)
•     Ummagumma (double album) (1969)
•     Atom Heart Mother (1970)
•     Meddle (1971)
•     Obscured by Clouds (1972)
•     The Dark Side of the Moon (1973)
•     Wish You Were Here (1975)
•     Animals (1977)
•     The Wall (double album) (1979)
•     The Final Cut (1983)
•     A Momentary Lapse of Reason (1987)
•     The Division Bell (1994)

Since the release of Discovery the band have released their fifteenth studio album, The Endless River, in 2014 and reissued Obscured by Clouds in a new stereo mix as part of The Early Years 1965–1972 box set in 2016; it features in Volume 6 – 1972: Obfusc/ation. Neither of these have yet been made part of subsequent issues of Discovery. 

Chris Rea - Blue Guitars [11 CD, 2005] (FLAC)

Blue Guitars is a Blues album released by Chris Rea on October 14th 2005 consisting of eleven CDs, one DVD and a full colour book, including paintings by the artist, liner notes and song lyrics. The album is an ambitious project with the 137 songs recorded over the course of 1 1/2 years with a work schedule - according to Chris Rea himself - of twelve hours a day, seven days a week.

The collection is the fifth and last release in a line of Blues recordings Chris Rea has made since recovering from a serious disease at the turn of the millennium and promising himself a return to his Bluesy roots in the event that he survived. According to Rea "Blue Guitars" will be his last solo effort; however, he will continue to release albums as a member of the band "Memphis Fireflies".

 

 

Grateful Dead - Transmission Impossible - The Benefit Shows (3 CD, 2018/FLAC-HD)

Renowned for having regularly performed concerts that ran in excess of three hours, when the occasion demanded such -such as at all-star benefit gigs - Grateful Dead could still bring the house down when playing sets lasting between an hour and ninety minutes. This triple disc sets features three such occasions from the Dead's glorious catalogue of live broadcast recordings, which prove the above without exception. 

Disc One is an early show for the band from November 19th 1966, recorded at Bill Graham s Fillmore, with the gig benefitting the venue itself, which was losing money at the time.

Disc Two features the groups set at the Cambodian Refugee Benefit on January 13th 1980, held at the Oakland Coliseum Arena, and again organised by Bill Graham, in support of those who d had to flee their homes following the 1979 invasion of Cambodia by Vietnam.

Disc Three which, somewhat ironically, features the Grateful Dead s appearance at the Bill Graham Tribute Concert held in Golden Gate Park, organised in the wake of the great man s tragic death, following a helicopter crash on October 25th 1991.

 

The Beatles- The Beatles (White Album) [6 CD Super Deluxe 2018/FLAC]

  

In The Beatles’ long and winding history, their self-titled 1968 album is considered by many to be the beginning of the end. Not musically, of course—raw and sprawling, “The White Album” contains some of their richest and most enduring songs—but insofar as the LP showed they were starting to work and develop distinct styles apart from one another. But to hear Giles Martin, son of the late longtime Beatles producer George Martin, tell it, the truth may be more complicated. His evidence: This new 107-track collection he has overseen, featuring a fresh mix of the original album, freewheeling studio outtakes, and the 27 holy-grail acoustic “Esher demos” largely recorded at George Harrison’s house following the band’s consciousness-expanding off-site in India. To Martin, these loose, candid recordings show a band playing off one another’s chemistry in the studio, working together with humor and camaraderie to spare. “You can’t make a record like ‘The White Album’ if you’re arguing,” he says. Martin tells Apple Music which tracks best prove his theory, and how this set offers insight for completists and casual fans alike.

Jay McShann - Chronogical Classics 1941 - 1946 (2 CD/FLAC)

The great veteran pianist Jay McShann (also known as Hootie) enjoyed a long career and it is unfair to primarily think of him as merely the leader of an orchestra that featured a young Charlie Parker. He was mostly self-taught as a pianist, worked with Don Byas as early as 1931 and played throughout the Midwest before settling in Kansas City in 1936. McShann formed his own sextet the following year and by 1939 had his own big band. In 1940 at a radio station in Wichita, KS, McShann and an octet out of his orchestra recorded eight songs that were not released commercially until the 1970s; those rank among the earliest of all Charlie Parker records (he is brilliant on "Honeysuckle Rose" and "Lady Be Good") and also feature the strong rhythm section team McShann had with bassist Gene Ramey and drummer Gus Johnson. The full orchestra recorded for Decca on two occasions during 1941-1942 but they were typecast as a blues band and did not get to record many of their more challenging charts (although very rare broadcasts have since surfaced and been released on CD by Vintage Jazz Classics). In addition to Bird (who had a few short solos), the main stars were trumpeter Bernard Anderson, the rhythm section, and singer Walter Brown. McShann and his band arrived in New York in February 1942 and made a strong impression, but World War II made it difficult for any new orchestras to catch on. There was a final session in December 1943 without Parker, but McShann was soon drafted and the band broke up. After being discharged later in 1944, McShann briefly re-formed his group but soon moved to Los Angeles, where he led combos for the next few years; his main attraction was the young singer Jimmy Witherspoon.