Stevie Nicks discography (1981-2014) [FLAC]

 

Famed for her mystical chanteuse image, singer/songwriter Stevie Nicks enjoyed phenomenal success not only as a solo artist but also as a key member of Fleetwood Mac. Possessed of a raspy croon, Nicks had a duo with Lindsey Buckingham in the early '70s, releasing an excellent folk-pop album as Buckingham Nicks before the pair were absorbed into veteran U.K. group Fleetwood Mac. Nicks' and Buckingham's talents helped steer the band to superstardom with the enormous hit albums Fleetwood Mac and Rumours. In the '80s, Nicks ventured out on her own, scoring numerous hit singles and ultimately leaving the band. In the late '90s, however, she reunited with her Fleetwood friends, who began performing and recording with renewed vigor.




1981 - Bella Donna
1983 - The Wild Heart
1985 - Rock A Little
1989 - The Other Side Of The Mirror
1994 - Street Angel
2001 - Trouble In Shangri-La
2009 - The Soundstage Sessions
2011 - In Your Dreams
2014 - 24 Karat Gold Songs From The Vault (Deluxe)


Glen Campbell - The Capitol Albums Collection Volume 3 (11 CD, 2015/FLAC)

 

(1974) Reunion: The Songs of Jimmy Webb
(1975) Arkansas
(1975) Live in Japan
(1975) Rhinestone Cowboy
(1976) Bloodline
(1977) Live at the Royal Festival Hall
(1977) Southern Nights
(1978) Basic
(1979) Highwayman
(1980) Somethin' 'bout You Baby I Like
(1981) It's the World Gone Crazy




 

The Rocking Ghosts - The Complete Story 1962-1970 (2 CD, 2004/FLAC)


 Danish rock band formed in the summer of 1962 by Svend Bonavent Larsen (dm), Tommy Petersen (org., piano) (both formerly played in Tommy's Band), Timm Bo Madsen (lead-g) and Jørgen Frederiksen (rythm-g). In May of 1963 Johnny Dyhrberg (el-b) replaced Tommy Petersen, and John Andersen (lead-vo) (ex. The Sundowns) joined the band.

On January 28, 1964 the band won the Copenhagen championship in Rock at Nora Bio, which lead to a record deal with Metronome Records and producer Jørgen Ingmann. The instrumental debut album was called Vilja, Oh Vilja by Franz Léhar. Vocally the band broke through with their own Belinda that stayed on the charts for 13 months and was released in many European countries as well as the USA and Japan. During a trip to Bremen in April 1965, Johnny Dyhrberg left the band and was replaced by Kai Rose Petersen (el-b) and by the end of 1965 Bjørn Holte Jensen(rhythm-g) (ex The Ex-Checkers) replaced Jørgen Frederiksen. As the best selling album Oh, Oh What A Kiss, a rework of Johan Strauss' Über den Wellen, was a chart success in both 1966 and 1967.

In September 1967 the band decided to change their style to a more psychedelic flower power inspired pop sound, a change, however, Timm Bo Madsen and Kai Rose Petersen did not agree with and they consequently left the band.

They debuted with their new style at the Procul Harum concert in Tivoli. The new band recorded 2 singles for CBS Records with the following members: John Andersen, Svend Bonavent, Bjørn Holte, John Trefeldt (ex The Treffters), Fin Michael Musanti (rhythm-g, org) (ex The Playmakers) and Bent Hansen (el-b) (ex The Meteors).

The Rocking Ghosts were extremely popular in 1964-1967 and played, among other venues, at Giraffen, Enghaveparken, Hit House and Dansetten in Copenhagen, but their largest audience was primarily outside Copenhagen. The band also toured extensively in Germany, Austria, Italy, Sweden and Finland.





 

VA - Slavery in America : Redemption Songs 1914-1972 (3 CD, 2014/FLAC)

 

Work songs, ritual and festive music... the slavery sounds and rhythms have left a considerable mark on American popular music. In a 44-page critical essay Bruno Blum here details recordings inspired by that legacy, alongside performances of music composed in the days of slavery. He shows their influences from the Congo to the Caribbean and from Brazil to the USA. The intensity of these magnificient recordings – from songs of hope to the abolition of slavery, up to the Civil Rights movement and the flowering of free jazz – is a testimony of human resiliency. The titles included here recount the course of a major socio cultural event in our history. 





 

Pink Floyd - Atom Heart Mother (High Resolution Remasters) (4 CD, 2018/FLAC)


 Atom Heart Mother is the fifth studio album by the English progressive rock band Pink Floyd. It was released by Harvest on 2 October 1970 in the UK, and by Capitol on 10 October 1970 in the US. It was recorded at Abbey Road Studios in London, England, and was the band's first album to reach number 1 in the UK, while it reached number 55 in the US, eventually going gold there. A remastered CD was released in 1994 in the UK and the United States, and again in 2011. Ron Geesin, who had already influenced and collaborated with Roger Waters, contributed to the title track and received a then-rare outside songwriting credit.

The cover was designed by Hipgnosis, and was the first one to not feature the band's name on the cover, or contain any photographs of the band anywhere. This was a trend that would continue on subsequent covers throughout the 1970s and beyond.

Although it was commercially successful on release, the band, particularly Waters and David Gilmour, have expressed several negative opinions of the album in more recent years. Nevertheless, it remained popular enough for Gilmour to perform the title track with Geesin in 2008.