Terrapin Station (Limited Edition) is a triple CD live album by the Grateful Dead released in 1997. It was recorded on March 15, 1990 — bassist Phil Lesh's 50th birthday — at the Capital Centre in Landover, Maryland, and contained a rare Beatles cover, "Revolution". "Revolution" was a favorite song of Lesh's and had previously been played at his request. It also features the first performance of "Easy to Love You" in almost 10 years. The concert performance from the previous night, recorded at the same venue, can be found on Spring 1990 (The Other One). Likewise, the concert from the following night, at the same venue, is contained on Spring 1990. Additionally, the performances of "Walkin' Blues" and "Althea" from this show can be found on the live compilation album Without a Net.
Grateful Dead - Terrapin Station (Limited Edition) [3 CD, 1997/FLAC]
Terrapin Station (Limited Edition) is a triple CD live album by the Grateful Dead released in 1997. It was recorded on March 15, 1990 — bassist Phil Lesh's 50th birthday — at the Capital Centre in Landover, Maryland, and contained a rare Beatles cover, "Revolution". "Revolution" was a favorite song of Lesh's and had previously been played at his request. It also features the first performance of "Easy to Love You" in almost 10 years. The concert performance from the previous night, recorded at the same venue, can be found on Spring 1990 (The Other One). Likewise, the concert from the following night, at the same venue, is contained on Spring 1990. Additionally, the performances of "Walkin' Blues" and "Althea" from this show can be found on the live compilation album Without a Net.
The Faces discography [1970-1975] (FLAC)
When Steve Marriott left the Small Faces in 1969, the three remaining members brought in guitarist Ron Wood and lead singer Rod Stewart to complete the lineup and changed their name to the Faces, which was only appropriate since the group now only slightly resembled the mod-pop group of the past. Instead, the Faces were a rough, sloppy rock & roll band, able to pound out a rocker like "Had Me a Real Good Time," a blues ballad like "Tell Everyone," or a folk number like "Richmond" all in one album. Stewart, already becoming a star in his own right, let himself go wild with the Faces, tearing through covers and originals with abandon. While his voice didn't have the power of Stewart, bassist Ronnie Lane's songs were equally as impressive and eclectic. Wood's rhythm guitar had a warm, fat tone that was as influential and driving as Keith Richards' style.
Notorious for their hard-partying, boozy tours and ragged concerts, the Faces lived the rock & roll lifestyle to the extreme. When Stewart's solo career became more successful than the Faces, the band slowly became subservient to his personality; after their final studio album, Ooh La La, in 1973, Lane left the band. After a tour in 1974, the band called it quits. Wood joined the Rolling Stones, drummer Kenny Jones eventually became part of the Who, and keyboardist Ian McLagan became a sought-after supporting musician; Stewart became a superstar, although he never matched the simple charm of the Faces.
While they were together, the Faces never sold that many records and were never considered as important as the Stones, yet their music has proven extremely influential over the years. Many punk rockers in the late '70s learned how to play their instruments by listening to Faces records; in the '80s and '90s, guitar rock bands from the Replacements to the Black Crowes took their cue from the Faces as much as the Stones. Their reckless, loose, and joyous spirit stayed alive in much of the best rock & roll of the subsequent decades.
Lane was diganosed with multiple sclerosis in the 1970s but continued to work. He relocated to Austin, Texas in the 1980s and worked until the disease claimed his life in 1997.
MacLagan also relocated to Austin, where he became an integral part of the city's vibrant music scene. In addition to leading his own group, the Bump Band, he collaborated with musicians--well known and obscure--in recording sessions and on the stage. He suffered a stroke on December 2, 2014, and passed away a day later.
1970. Faces - The First Step (1993)
1971. Faces - A Nod Is As Good As A Wink...To A Blind Horse (1993)
1971. Faces - Long Player (1993)
1973. Faces - Ooh La La (1993)
1975. Faces - Snakes And Ladders. The Best Of Faces (1990)
2004. Faces - Five Guys Walk Into A Bar (4 CD)
2015. Faces - 1970-1975 You Can Make Me Dance, Sing Or Anything (5 CD)
Garaj Mahal - Live Vol. 1 - 3 (2003)
Garaj Mahal is a jazz fusion band formed in 2000 that combines jazz, rock, Indian music, and funk. The band consists of Fareed Haque (guitar), Kai Eckhardt (bass), Sean Rickman (drums), and Eric Levy (keyboards). Garaj Mahal allows its music to be recorded at concerts.
In early 2007, Mahal's Blueberry Cave won Best Jam Album in the 6th Annual Independent Music Awards.
Alanis Morissette discography [1991-2020] (FLAC)
Pitched halfway between glossy mainstream pop and angst-ridden alternative rock, Alanis Morissette's American debut Jagged Little Pill caught the zeitgeist of the mid-'90s, splitting the difference between Gen-X cynicism and self-help actualization. Spinning off a series of Top Ten singles, including "You Oughta Know," "Hand in My Pocket," and "Ironic," and winning the 1996 Grammy for Album of the Year, Jagged Little Pill became an international blockbuster so squarely tied to its time, it threatened to leave Morissette behind in the '90s. Instead, the album gave her a lasting career, one she cultivated through emotional candor and music she gently modulated as she matured. The Top 40 hits slowed after "Hands Clean," the single pulled from 2002's self-produced Under Rug Swept, but Morissette worked steadily, her albums reflecting an earned serenity while retaining the wit and insight that made her a cultural phenomenon in the '90s.
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