VA - The Many Faces Of Queen (3 CD, 2018) [FLAC]

 
Few bands embodied the pure excess of the '70s like Queen. Embracing the exaggerated pomp of progressive rock and heavy metal, as well as vaudevillian music hall, the British quartet delved deeply into camp and bombast, creating a huge, mock-operatic sound with layered guitars and overdubbed vocals. Queen's music was a bizarre yet highly accessible fusion of the macho and the fey. For years, their albums boasted the motto "no synthesizers were used on this record," signaling their allegiance with the legions of post-Led Zeppelin hard rock bands. 

 In The Many Faces of Queen we will delve into the inner world of the legendary British foursome including their early recordings, collaborations and their fantastic repertoire. With remastered sound and fantastic artwork, The Many Faces Of Queen is an essential addition to your rock music collection. Disc One features early recordings by members of Queen including tracks by Smile, Larry Lurex (AKA Freddie Mercury), Eddie Howell featuring Brian May & Freddie Mercury and more. Disc Two features the songs of Queen as interpreted by rockers like Lemmy, Yngwie Malmsteen, Bob Kulick, Robin McAuley and many others. Disc Three includes symphonic interpretations of Queen classics like "Under Pressure," Love Of My Life," "We Are The Champions," and, of course, "Bohemian Rhapsody."




The Artwoods - Steady Gettin' It. The Complete Recordings 1964-67 (3 CD, 2014/FLAC)

 

The Artwoods (also sometimes known by Decca Records as the Art Woods) were an English rock band who formed in 1963 and were professionally active between 1964 and 1967. They were a popular live attraction, rivalling groups such as the Animals, although, despite releasing a clutch of singles and an album, their record sales never reflected this popularity.

Singer Arthur Wood, from whom the band took their name, was the eldest brother of Ronnie Wood (who later found fame with the Faces and Rolling Stones). Art Wood had been a vocalist with Alexis Korner's Blues Incorporated for a short period during 1962, simultaneously fronting his own group, the Art Wood Combo. When keyboardist Jon Lord and guitarist Derek Griffiths from Red Bludd's Bluesicians joined the Art Wood Combo, the Artwoods were formed. With Keef Hartley, formerly with Rory Storm & the Hurricanes, joining on drums and Malcolm Pool from the Roadrunners joining as bassist, in December 1964 the band turned professional, securing a residency at London's 100 Club and signing a recording contract with Decca Records. Colin Martin joined from the band the Ingoes, who changed their name to the Blossom Toes. Colin went on to work at Radio 2 where he produced the like of Terry Wogan, Ken Bruce and Gloria Hunniford and was later appointed as Head of Music at the station.

The intended debut single, a cover of Muddy Waters' "Hoochie Coochie Man", was shelved in favour of a rendition of an old Lead Belly song, "Sweet Mary". Although it didn't reach the charts, it got sufficient airplay to bring the band a lot of live work, including an appearance on the first live edition of Ready Steady Go!. Their second record, "Oh My Love", was another blues cover. Like its predecessor (and subsequent releases), it failed to chart. Their only chart single was "I Take What I Want", which reached No 28 on 8 May 1966.

The Artwoods were dropped by Decca at the end of 1966, and they signed a one-record deal with Parlophone, but their release "What Shall I Do" also had no success. Later in 1967, a final "one-off" single appeared on the Fontana label, with the band billing itself as St. Valentine's Day Massacre; but by the time of its release the Artwoods had effectively ceased to exist.

The Artwoods' early records today stand up well against the work of more successful groups such as the Rolling Stones, the Yardbirds or the Birds (who included Art's younger brother Ronnie). But at the time they came out, despite appearances on programs like Ready, Steady, Go! their singles never seemed to connect with the record-buying public. The group broke up in mid-1967. Art Wood joined his brother Ted in the graphics-art business and continued to perform music on a semi-professional basis. He also played with the Downliners Sect. Keef Hartley went on to play with John Mayall's Bluesbreakers and Jon Lord became a founder member of Deep Purple.






Gary Numan discography [1978-2019](FLAC)


Gary Anthony James Webb, better known professionally as Gary Numan (born 8 March 1958), is an English singer, songwriter, musician and record producer. Born in Hammersmith, London, he first entered the music industry as the lead singer of the new wave band Tubeway Army. After releasing two albums with the band, Numan released his debut solo album The Pleasure Principle in 1979. Most widely known for his chart-topping hits "Are 'Friends' Electric?" and "Cars", Numan achieved his peak of mainstream popularity in the late 1970s and early 1980s, but maintains a loyal cult following.

Numan, whose signature sound consists of heavy synthesizer hooks fed through guitar effects pedals, is considered a pioneer of commercial electronic music.






The Kinks - Picture Book [6 CD, 2008/FLAC+320]

 

Picture Book is a six-disc box set of material by The Kinks. It was released in December 2008 and compiles previously unreleased demos and outtakes together with selections from the group's four decade-long career. The track listing for the collection, the first box set release for the band, is mostly in chronological order. The box set also comes with a 60-page booklet featuring a biography of the band, a timeline, and photos.

 


Lightnin' Hopkins - Houston & Shreveport Sessions '63 To '69 (1969/FLAC)


 Texas bluesman Lightnin’ Hopkins career was both long and fruitful. He performed live for six decades and recorded for over 30 years amassing a catalogue that was larger than almost any of his contemporaries. Not only was he prolific but he was also a great raconteur and a very good live performer with an ‘act’ honed to perfection at pre-war dances and parties. His guitar playing was unconventional, some have even called it ragged, but it is not as a guitarist that he will be remembered. Somehow the way he set his songs seemed totally apposite and it gave everything he did an authenticity that few others were ever able to match.