Punk
was more than a style in music. It was a style in society. It was
basically antisocial, evoking opponents if not enemies, or simply
conjuring them from thin air - well, thin air is a way of speaking -
from the thickness of a social climate that was saturated with
consumption, and that was only the beginning, and that was also
corrupted and rotten from the inside by a disease that was incurable,
consumption again. That was a turning point in western history.
Eric Clapton - Give Me Strength The 74- 75 Recordings [5 CD, 2013/FLAC]
Give Me Strength: The ’74/’75 Recordings is a 5CD box set
that celebrates the period between April 1974 and June 1975 when Clapton
produced the studio albums 461 Ocean Boulevard and There’s One In Every
Crowd, as well as the live double set E.C. Was Here.
All three of those albums are included in this new box in remastered, expanded form, and all include previously unreleased session outtakes or unheard live performances.
461 Ocean Boulevard includes four previously released outtakes (including a couple of versions of Getting Acquainted), whilst amongst the bonus offerings on There’s One In Every Crowd are two unreleased session tracks Burial and Fools Like Me, and both sides of the Knockin’ On Heaven’s Door single.
E.C. Was Here is not only remastered, but REMIXED, and expanded across two CDs, with numerous unissued extras such as versions of Layla, Crossroads and Little Wing.
The fifth CD is taken up with Clapton’s sessions with blues guitarist and singer Freddie King. Originally recorded for King’s Burglar album, four tracks are featured here, including a previously unreleased 22-minute version of Gambling Woman Blues.
All three of those albums are included in this new box in remastered, expanded form, and all include previously unreleased session outtakes or unheard live performances.
461 Ocean Boulevard includes four previously released outtakes (including a couple of versions of Getting Acquainted), whilst amongst the bonus offerings on There’s One In Every Crowd are two unreleased session tracks Burial and Fools Like Me, and both sides of the Knockin’ On Heaven’s Door single.
E.C. Was Here is not only remastered, but REMIXED, and expanded across two CDs, with numerous unissued extras such as versions of Layla, Crossroads and Little Wing.
The fifth CD is taken up with Clapton’s sessions with blues guitarist and singer Freddie King. Originally recorded for King’s Burglar album, four tracks are featured here, including a previously unreleased 22-minute version of Gambling Woman Blues.
Slade discography [1969-1997] (FLAC)
Slade are an English rock band from Wolverhampton, who rose to
prominence during the glam rock era of the early 1970s. With 17
consecutive Top 20 hits and six number ones, the British Hit Singles & Albums
names them as the most successful British group of the 1970s based on
sales of singles. They were the first act to have three singles enter at
#1, and all six of the band's chart-toppers were penned by Noddy Holder and Jim Lea.
Total UK sales stand at 6,520,171, and their best selling single,
"Merry Xmas Everybody", has sold in excess of one million copies.
1969. Ambrose Slade - Beginnings
1970. Slade - Play It Loud
1972. Slade - Slade Alive!
1972. Slade - Slayed
1973. Slade - Sladest
1974. Slade - Old, New, Borrowed And Blue
1974. Slade - Slade in Flame
1976. Slade - Nobody's Fools
1977. Slade - Whatever Happened To Slade
1978. Slade - Slade Alive Vol. Two
1979. Slade - Return To Base
1981. Slade - Till Deaf Do Us Part
1981. Slade - We'll Bring The House Down
1982. Slade - Slade On Stage
1983. Slade - The Amazing Kamikaze Syndrome
1984. Slade - Keep Your Hands Off My Power Supply
1985. Slade - Crackers The Christmas Party Album
1985. Slade - Rogues Gallery
1986. Slade - You Boyz Make Big Noize
1991. Slade - The Slade Collection 81 - 87
1991. Slade - Wall Of Hits
1993. Slade - The Slade Collection, Vol. 2 79 - 87
1997. Slade - Feel the Noize - Greatest Hits
Van Morrison - It's Too Late To Stop Now, Volumes II, III & IV (2016/FLAC)
A 3 album collection of previously unreleased live concert recordings from Morrison’s mythic 1973 tour with the Caledonia Soul Orchestra, ..It's Too Late to Stop Now…Volumes II, III & IV collates peak performances originally recorded at three venues: The Troubadour in Los Angeles, the Santa Monica Civic Center, and The Rainbow Theatre in London.
Often
cited as one of the best live albums ever made, Van Morrison’s original
..It's Too Late to Stop Now…Volumes II, III & IV has been remastered
in 24-bit high resolution sound.
Morrison’s
highly acclaimed 1973 concert album was compiled from eight sets of
live performances–recorded at The Troubadour, the Santa Monica Civic
Center and The Rainbow Theatre–and was notably free of any
post-performance overdubs or studios “fixes”. ..It's Too Late to Stop
Now…Volumes II, III & IV returns to those original performances,
first captured on two-inch 16-track analog tapes, and, through the
mastery of noted engineer Guy Massey, puts the contemporary listener in
the enviable position of being sonically present at each venue. All of
the recordings on the new collection have been previously unavailable
and none of them overlap with the performances on “Volume I” of ..It's
Too Late to Stop Now….
Volume II: Live At The Troubadour, Los Angeles, CA, May 1973
Volume III: Live At The Santa Monica Civic, Santa Monica, CA, May 1973
Volume IV: Live At The Rainbow, London, UK, July 1973
Santana - At Budokan: Live In Tokyo 1991 (DVDRIP video)
By 1991 the band Santana had evolved from latin organ and percussion grooves through trippy jazz-fusion and arrived at a form of high energy latin soul/rock. It’s a journey few watching them at Woodstock in 1969 would have predicted. Twenty-two years and countless albums later Carlos Santana himself was the only original member present in Tokyo. A close friend of Miles Davis and devotee of John Coltrane, he had regularly incorporated elements of jazz into his music, so it is no surprise to see Japan’s greatest living saxophonist, Sadao Watanabe, added here. For his part Watanabe is happy to play latin, funk and fusion, his solos easily matching Santana’s overdriven guitar for invention and energy. The tunes are taken from the Santana albums Freedom (1987) and Spirits Dancing In The Flesh (1990) as well as classics from their LPs Abraxas (1970) and Amigos (1976).
Performed at the Nippon Budokan, Tokyo, Japan 21st May 1991 and broadcast on NHK radio.
Bass – Benny Rietveld
Congas – Raul Rekow
Drums – Gaylord Birch
Guitar – Carlos Santana
Keyboards – Chester Thompson
Percussion – Karl Perazzo, Raul Rekow
Saxophone – Sadao Watanabe
Timbales – Karl Perazzo
Vocals – Tony Lindsay
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