Furthur - 2009 tour (10 shows)


  Four months after Jerry Garcia's death in August 1995, the Grateful Dead officially disbanded. However, band members continued to perform over the subsequent years in other bands such as RatDog, Phil Lesh and Friends, the Rhythm Devils, the Other Ones, and the Dead. After a four-year hiatus following their "Wave That Flag" summer tour in 2004, the Dead performed two 2008 shows supporting the Obama campaign, billed as "Deadheads for Obama" and "Change Rocks", as well at one of the Obama inaugural balls in 2009, ultimately giving rise to a 2009 spring tour. During this reunion, Weir and Lesh, who admitted having great fun playing together again, decided to form a new band. In August 2009, the musicians announced that they had formed a new band, Furthur, with Kadlecik, Chimenti, Lane, and Russo.

The band was named after the 1939 International Harvester psychedelic multicolored bus used by novelist Ken Kesey and his Merry Pranksters to tour America in 1964 when they attended the New York World's Fair for the debut of Kesey's second novel, Sometimes A Great Notion. "Furthur" was the inscription on the destination placard of the bus and was also the name given to the multicolored bus. "In many ways, the 'Furthur' destination of the bus—piloted by Neal Cassady, inspiration for the character Dean Moriarty in Jack Kerouac's On the Road—represented the mind-set of the transition from Beat Generation culture to the more heavily drug-infused hippie culture and the LSD-based psychedelic culture, with Ken Kesey, Neal Cassady, the Merry Pranksters, and the Grateful Dead—all alumni of the Acid Tests—as ambassadors and guides on that cognitive and conceptual journey". The Grateful Dead performed as the house band for many of the Acid Tests, which ran from 1965 to 1966.

Furthur retained much of the characteristic style and texture of the Dead. In addition to performing many of the songs regularly played in concert by the Dead, Furthur tried to "keep it fresh" by routinely adding new material to their setlists. This included many songs resurrected from the Grateful Dead's extensive songbook, including several rarely or never performed live, like "Alice D. Millionaire", as well as several cover songs from bands including the Beatles, the Rolling Stones, Bob Dylan, the Band, Pink Floyd, Led Zeppelin, Ryan Adams, Van Morrison and the Clash. They also regularly performed some new, original material. 

The band debuted with performances on September 18, 19, and 20, 2009, at the Fox Theatre in Oakland, California. The band Vice (now known as Maiden Lane), featuring Phil's son, Grahame, opened for Furthur on Saturday, September 19. They then performed for a single night on November 20 at the 200-person-capacity 19 Broadway in Fairfax, California, advertised only by a last-minute announcement, and with tickets available only at the door on a first come, first served basis. The Oakland debut shows were followed by five additional concerts in the Northeast (New York, Connecticut, and New Jersey) in December 2009, as well as live rehearsal sessions and two New Year's shows in Mill Valley, California, and San Francisco, respectively. During the New Year's Eve performances, the band introduced backing vocalists Sunshine Becker and Zoe Ellis, who remained in the lineup for the remainder of the winter tour.

    Bob Weir—rhythm guitar, lead vocals (9/18/2009–1/23/2014)
    Phil Lesh—bass guitar, lead vocals (9/18/2009–1/23/2014)
    John Kadlecik—lead guitar, lead vocals (9/18/2009–1/23/2014)
    Jeff Chimenti—keyboards, backing vocals (9/18/2009–1/23/2014)
    Joe Russo—drums (9/18/2009–1/23/2014)
    Jay Lane—drums, backing vocals (9/18/2009 – 3/12/2010)
    Sunshine Becker—backing vocals (12/27/2009–1/23/2014)
    Zoe Ellis—backing vocals (12/27/2009 – 3/12/2010)
    Jeff Pehrson—backing vocals (5/24/2010–1/23/2014)




Furthur-20090918 The Fox Theater, Oakland,CA
Furthur-20090919 The Fox Theater, Oakland,CA
Furthur-20090920 The Fox Theater, Oakland,CA
Furthur-20091208 New York, NY
Furthur-20091209 New York, NY
Furthur-20091211 New Haven, CT
Furthur-20091212 Convention Hall, Asbury Park, NJ
Furthur-20091213 Convention Hall, Asbury Park, NJ
Furthur-20091230 San Francisco, CA
Furthur-20091231 San Francisco, CA


The Jam discography [1977-2015]


 The Jam were the most popular band to emerge from the initial wave of British punk rock in 1977; along with the Sex Pistols, the Clash, and the Buzzcocks, the Jam had the most impact on pop music. While they could barely get noticed in America, the trio became genuine superstars in Britain, with an impressive string of Top Ten singles in the late '70s and early '80s. The Jam could never have a hit in America because they were thoroughly and defiantly British. Under the direction of guitarist/vocalist/songwriter Paul Weller, the trio spearheaded a revival of mid-'60s mod groups, in the style of the Who and the Small Faces. Like the mod bands, the group dressed stylishly, worshipped American R&B, and played it loud and rough. By the time of the group's third album, Weller's songwriting had grown substantially, as he was beginning to write social commentaries and pop songs in the vein of the Kinks. Both his political songs and his romantic songs were steeped in British culture, filled with references and slang in the lyrics, as well as musical allusions. Furthermore, as the Jam grew more popular and musically accessible, Weller became more insistent and stubborn about his beliefs, supporting leftist causes and adhering to the pop aesthetics of '60s British rock without ever succumbing to hippie values. Paradoxically, that meant even when their music became more pop than punk, they never abandoned the punk values -- if anything, Weller stuck to the strident independent ethics of 1977 more than any other punk band just by simply refusing to change. 





The Jam.1977 In The City
The Jam.1977 This Is The Modern World
The Jam.1978 All Mod Cons
The Jam.1979 Setting Sons
The Jam.1980 Sound Affects
The Jam.1982 Dig The New Breed
The Jam.1982 The Gift
The Jam.1983 Snap! (2006 Reissue)
The Jam.1991 Greatest Hits
The Jam.1992 Extras
The Jam.1993 Live Jam
The Jam.1996 Collection
The Jam.1997 Direction Reaction Creation [5 CD]
The Jam.1997 The Very Best of the Jam
The Jam.2002 The Jam At The BBC [2 CD]
The Jam.2012 That's Entertainment_The Collection
The Jam.2015 About The Young Idea The Very Best Of The Jam

Gov't Mule - Live At The Cotton Club, Atlanta, GA, February 20, 1997 (2021) FLAC

 

Gov’t Mule released Live At The Cotton Club Atlanta February 20, 1997 via Evil Teen Records. The live album is the third in the renowned rockers’ digital-only live archival series.

The remixed and remastered Live At The Cotton Club Atlanta February 20, 1997 features Mule’s original lineup of guitarist Warren Haynes, late bassist Allen Woody and drummer Matt Abts. Having formed just three years prior by Haynes and Woody as an Allman Brothers Band side project, the Atlanta ‘97 concert — a home state show as the band was born in Georgia — sees Gov’t Mule performing material from their 1995 self-titled debut, cuts from their yet to be released 1998 album, Dose, and covers from blues greats like Sonny Boy Williamson and Memphis Slim as well as the Grateful Dead, Bob Dylan, ZZ Top and more.

The recording also showcases Mule in their power trio days, following in the footsteps of legendary rock power trios like Cream and The Jim Hendrix Experience.





01 John The Revelator
02 Mule
03 Game Face
04 Temporary Saint
05 No Need To Suffer
06 Birth Of The Mule
07 Dolphineus
08 Painted Silver Light
09 Thelonius Beck
10 St. Stephen Jam
11 I Shall Be Released
12 Blind Man In The Dark
13 Drums
14 Blind Man In The Dark (Reprise)
15 Young Man Blues
16 Good Morning Little School Girl
17 Young Man Blues (Reprise)
18 Monkey Hill
19 I Want You (She's So Heavy) Jam
20 Mr. Big
21 Left Coast Groovies
22 Mother Earth
23 Goin' Out West
24 Gonna Send You Back To Georgia
25 I Can't Hold Out
26 Gonna Send You Back To Georgia (Reprise)
27 Just Got Paid
28 I've Been Working
29 Just Got Paid (Reprise)

Leadbelly - Leadbelly's Last Sessions (4 CD, 1994/FLAC)


 Recorded between September and November, 1948. Originally released on Folkways (241/2941, 242/2942). Includes liner notes by Frederic Ramsey, Jr. Moses Asch, Sean Killeen, Anthony Seeger, Jeff Place and Matt Walters.

Legend has it that when Huddie "Leadbelly" Ledbetter was shown one of the first commercially available tape recorders--as opposed to the then-standard disc-cutting machines--in the fall of 1948, he immediately sat down in front of it for a marathon impromptu recording session. This fact comes across on the first of these discs taken from those tapes: most of its 35 tracks are traditional blues hollers without even his trademark 12-string guitar for accompaniment.

The other three discs are jam-packed with songs, fragments, and often fascinating conversations. Rather than edit the material--which the listener can do quite nicely with a programmable CD player and blank cassettes--the archivists at Smithsonian/Folkways wisely chose to release these four hours of material exactly as it was recorded. As a result, the sound quality is occasionally a bit dodgy, but the historical import and musical quality of these recordings are undeniable. 




 

Pink Floyd - Ummagumma The High Resolution Remasters (4 CD, 2019/FLAC)

 

Ummagumma is the fourth studio album by English rock band Pink Floyd. It is a double album and was released on 7 November 1969 by Harvest Records. The first disc consists of live recordings from concerts at Mothers Club in Birmingham and the College of Commerce in Manchester that contained part of their normal set list of the time, while the second contains solo compositions by each member of the band recorded at Abbey Road Studios. The artwork was designed by regular Floyd collaborators Hipgnosis and features a number of pictures of the band combined to give a Droste effect. It was the last album cover to feature the band.

Although the album was well received at the time of release, and was a top five hit in the UK album charts, it has since been looked upon unfavourably by the band, who have expressed negative opinions about it in interviews. Nevertheless, the album has been reissued on CD several times, along with the rest of their catalogue. 

  • Original Album Part One 
  • Live Album Recorded at Mothers Birmingham & Manchester College of Commerce June 1969 
  • Original Album Part Two + Alternate Live Album 
  • More furious madness from Pink Floyd. 
  • The massed gadgets of Auximenes. 
  • The reconstructed unreleased The Man & The Journey album + Bonus tracks 
  • Ummagumma revisited. The alternate studio album.