Pat Boone - The Fifties Complete (12 CD, 1997/FLAC)
He might not have been the King Of Rock 'n' Roll but Pat Boone was certainly King Of The Hit Parade during the rock 'n' roll era. He sung ballads with a beat and up-tempo pop tunes such as I'll Be Home, Don't Forbid Me, Love Letters In The Sand, Why Baby Why and I Almost Lost My Mind. Hits like this kept him in the charts every week from 1955-1959!
This boxed set contains Pat's rare 1953 Republic recordings and every single DOT recording made during the Fifties--over 320 tracks in total. The original mono versions of Pat's hits (never reissued on CD before now) are here together with the more commonly used 1959 stereo re-makes. All of Pat's albums from the Fifties are here (most in stereo), and there's even an unissued album. There are 88 previously unheard recordings, including unissued versions of several big hits like Friendly Persuasion, Love Letters, A Wonderful Time Up There, Too Soon To Know and others. The set is rounded out with an 84-page hardcover LP-sized book with a biography, discography and numerous photographs from Pat's personal collection.
Bad Company discography [1974-2020]
Formed in 1973, the British hard rock outfit Bad Company was a supergroup comprising ex-King Crimson bassist Boz Burrell, former Mott the Hoople guitarist Mick Ralphs, and singer Paul Rodgers and drummer Simon Kirke,
both previous members of Free. Powered by Rodgers' muscular vocals and
Ralphs' blues-based guitar work, Bad Company was the first group signed
to Led Zeppelin's Swan Song vanity label. Their eponymous 1974 debut was
an international hit, topping the U.S. album charts and scoring with
the number one single "Can't Get Enough of Your Love."
Justin Johnson - The Bootleg Series, Vol. 1-5 (2020-2021/FLAC)
Internationally touring Nashville recording artist Justin Johnson has been hailed by Guitar World as a “must-see act”, dubbed “The Wizard” for his mastery of stringed instruments, and recognized as Slidestock International Slide Guitar Champion. He has earned endorsements from guitar builders around the world, published educational books on music theory and technique, and released a series of instructional DVDs.
The Bootleg Series is a compilation of solo guitar arrangements, drawn from Justin's most popular online video performances, that were mastered and released just for this collection.
Justin's blues and slide guitar performances have racked up multiple millions of views online, & until now, you could only hear those performances online, in low-def streaming video format. These tracks have been mixed from their original recorded versions and mastered to give you the most detailed version available, without compromising the authentic, rootsy vibe of these live and impromptu performances.
UFO - The Chrysalis Years 1980-1986 [5 CD, 2012]
Chrysalis Records continues to revisit the past recorded works of UFO;
this time around looking back to the “post-Schenker” albums. These five
studio albums, along with live recordings, rare tracks, alternate
takes, single edits comprise the five-CD set titled The Chrysalis Years Vol 2 (1980-1986).
The studio albums include 1980′s No Place to Run, ‘81′s The Wild, the
Willing and the Innocent, ‘82′s Mechanix, ‘83′s Making Contact and ‘86′s
Misdemeanor. Vol. 2 also includes live tracks from concerts in
Cleveland and at the Hammersmith Apollo in the U.K., as well as a BBC
concert recorded for Radio 1 during their 1980 No Place To Run tour.
The Chrysalis Years Vol 2 (1980-1986) delivers another 70-plus song CD set, which defined the character of UFO during the ‘80s. It’s a clichĂ©, but Schenker leaving UFO left some big shoes to fill. Without Schenker, the band worked with several guitarists and valiantly tried to recapture the magic they had during the 1970s. During this time period, original members Andy Parker and Pete Way (who left UFO after the release of Mechanix), both, stepped away from UFO, leaving Mogg as the only original member. Mogg carried on, disbanding the group in 1985, only to return again in ’86 with Paul Gray, Atomic Tommy M, Paul Raymond and Joe Simpson and released Misdemeanor. This was a short-lived affair, as UFO disbanded for a second time in 1988. Eventually, Mogg and Way teamed up for another go at it in ’91. The next year, the original lineup of Mogg, Schenker, Way, Raymond and Parker reunited for three albums; Walk on Water (1995), Covenant (2000), and Sharks (2002).
So, after the minor UFO history lesson, we are left to ponder The Chrysalis Years. Following the ’70s with inconsistent lineups and weak record sales, UFO trudged through the ’80s, finding themselves competing with MTV, NWOBHM, thrash metal and Glam. While teenagers of this time period would have leaned more toward the metallic fury of “Lights Out,” or the bombastic “Rock Bottom,” only die-hard fans who allowed themselves to follow the band after the departure of Schenker, embraced UFO and continued to show their allegiance. The are some gems on The Chrysalis Years Vol 2 (1980-1986), and you find the weaker moments are the live tracks. As the guitarists do well to performing their songs in the live setting, most often they don’t do the Schenker material justice. Often finding themselves behind the beat and not “on it” like Schenker, those songs don’t have the same pep and often lose the original magic.
UFO had some success and personnel highlights during this time period. They worked with George Martin, the legendary producer who worked with the Beatles, on ’80s No Place To Run. They also released the successful Mechanix, which peaked at No. 8 on the charts in the U.K. For UFO fans, other highlights in the package include the inclusion of 1983′s Headstone, which is a compilation of live songs released after they disbanded (the first time).
Also included from:
1980′s No Place To Run: the single edit “Young Blood” and its live B-side “Hot ‘N’ Ready”
1981′s Mechanix: features the B-side “Heel Of A Stranger”
1983′s Making Contact: features the B-side “Everybody Knows” and previously unreleased on CD – 7” edit of single “When It’s Time To Rock”
1986′s Misdemeanor: features the non-album B-side The Chase” and U.S. remix versions of “Night Run,” “Heavens Gate” and “One Heart”
With the liner notes again penned by Phil Mogg, The Chrysalis Years Vol 2 (1980-1986) is an important addition to any UFO fans CD collection. Whether you are a fan of this historical period of the band or not, it shows that they weren’t willing to lay down and die. Their tenacity led to their current incarnation that now features Vinny Moore on guitar, along with Phil Mogg, Paul Raymond and Andy Parker. Their latest studio release, Seven Deadly, was released this year and showcases a band still doing what the love to do.
The Chrysalis Years Vol 2 (1980-1986) delivers another 70-plus song CD set, which defined the character of UFO during the ‘80s. It’s a clichĂ©, but Schenker leaving UFO left some big shoes to fill. Without Schenker, the band worked with several guitarists and valiantly tried to recapture the magic they had during the 1970s. During this time period, original members Andy Parker and Pete Way (who left UFO after the release of Mechanix), both, stepped away from UFO, leaving Mogg as the only original member. Mogg carried on, disbanding the group in 1985, only to return again in ’86 with Paul Gray, Atomic Tommy M, Paul Raymond and Joe Simpson and released Misdemeanor. This was a short-lived affair, as UFO disbanded for a second time in 1988. Eventually, Mogg and Way teamed up for another go at it in ’91. The next year, the original lineup of Mogg, Schenker, Way, Raymond and Parker reunited for three albums; Walk on Water (1995), Covenant (2000), and Sharks (2002).
So, after the minor UFO history lesson, we are left to ponder The Chrysalis Years. Following the ’70s with inconsistent lineups and weak record sales, UFO trudged through the ’80s, finding themselves competing with MTV, NWOBHM, thrash metal and Glam. While teenagers of this time period would have leaned more toward the metallic fury of “Lights Out,” or the bombastic “Rock Bottom,” only die-hard fans who allowed themselves to follow the band after the departure of Schenker, embraced UFO and continued to show their allegiance. The are some gems on The Chrysalis Years Vol 2 (1980-1986), and you find the weaker moments are the live tracks. As the guitarists do well to performing their songs in the live setting, most often they don’t do the Schenker material justice. Often finding themselves behind the beat and not “on it” like Schenker, those songs don’t have the same pep and often lose the original magic.
UFO had some success and personnel highlights during this time period. They worked with George Martin, the legendary producer who worked with the Beatles, on ’80s No Place To Run. They also released the successful Mechanix, which peaked at No. 8 on the charts in the U.K. For UFO fans, other highlights in the package include the inclusion of 1983′s Headstone, which is a compilation of live songs released after they disbanded (the first time).
Also included from:
1980′s No Place To Run: the single edit “Young Blood” and its live B-side “Hot ‘N’ Ready”
1981′s Mechanix: features the B-side “Heel Of A Stranger”
1983′s Making Contact: features the B-side “Everybody Knows” and previously unreleased on CD – 7” edit of single “When It’s Time To Rock”
1986′s Misdemeanor: features the non-album B-side The Chase” and U.S. remix versions of “Night Run,” “Heavens Gate” and “One Heart”
With the liner notes again penned by Phil Mogg, The Chrysalis Years Vol 2 (1980-1986) is an important addition to any UFO fans CD collection. Whether you are a fan of this historical period of the band or not, it shows that they weren’t willing to lay down and die. Their tenacity led to their current incarnation that now features Vinny Moore on guitar, along with Phil Mogg, Paul Raymond and Andy Parker. Their latest studio release, Seven Deadly, was released this year and showcases a band still doing what the love to do.
- Phil Mogg (vocals)
- Paul Chapman (guitar)
- Paul Raymond (keyboards, guitar)
- Andy Parker (drums)
- Pete Way (bass)
- Neil Carter (keyboards, guitar, sax)
- Tommy McClendon (guitar)
- Paul Gray (bass)
- Joe Simpson (drums)
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