Savoy Brown - Taking the Blues Back Home Savoy Brown - Live in America (3 CD, 2020/FLAC)

 Three disc slimline jewel case of live 90s recordings of Savoy Brown in America.

Disc 1 Track 1 and Disc 2 Track 2 & 3 Recorded Live 9th March 1998 Tampa, FL, USA

Disc 1 Tracks 2-7 and Disc 2 Tracks 1, 4 & 5 Recorded Live 14th August 1997 Rochester, NY, USA

Jefferson Starship - Original Album Classics (5 CD, 2009/FLAC)

 




1974 - Dragon Fly 
1975 - Red Octopus 
1976 - Spitfire 
1978 - Earth 
1979 - Freedom At Point Zero 

VA- The Many Faces Of Iron Maiden [3 CD, 2016/FLAC]

 

As we all know, Iron Maiden is one of the essential names in heavy metal. As usual in our successful collection The Many Faces, we submerge ourselves to explore the lesser known works of the band. You will be able to enjoy the work of bassist Steve Harris as producer of the band Slammer. You'll also hear Stratus, drummer's Clive Burr band after leaving Maiden. Also included are the big hits of the first two albums of the band (their favorites for many fans) with the voice of Paul Di'Anno, the original singer. All these rarities and more, complete this important album not only for Iron Maiden fans, but also for all hard-rock music lovers.

Blind Blake - Complete Recorded Works Vol. 1-4 (1926-1932) [4 CD, 1991/FLAC]

 

Over a six year period Blind Blake recorded eighty-four titles together with numerous as “house” guitarist to artists like Papa Charlie Jackson, Ma Rainey, Leola B. Wilson and Irene Scruggs. This compilation covers his formative years and it has been surmised that initially he made three visits between August and December 1926 to Paramount’s Chicago studio. Blake’s first record West Coast Blues / Early Morning Blues was released on October 2 1926, the former title being basically a dance piece with Blake’s jaunty voice exhorting his listeners to “do that old country rock”, underpinning the spoken lyric with sophisticated, ragtime guitar accompaniment, taking the opportunity to incorporate a popular advertising slogan of the day (“Good to the last drop, just like Maxwell House coffee”). Early Morning Blues, on the other hand, was lyrically far more menacing, his warm, wistful and insinuating voice, at times reminiscent of Lonnie Johnson’s approach, giving lie to the seriousness of the subject (“When you see me sleeping, baby don’t you think I’m drunk, I got one eye on my pistol, the other one on your trunk”).

Blake’s role as accompanist to Leola B. Wilson, an artist who sang on the vaudeville circuit, displays his ability to use double and stop time phrases, as well as managing to copy her vocal range on Down The Country Blues, a number inspired by a Bessie Smith song. The instrumental, Buck Town Dance, with kazoo playing from Dad Nelson, was probably the model for the piece so often recorded by John Hurt and Gary Davis during the 1960s while Dry Bone Shuffle and That Will Never Happen No More have noticeable echoes of minstrel and white influence. As both were recorded as part of a hillbilly session by the Kentucky Thorobreds perhaps Paramount were hoping to sell Blake to both markets. Blind Blake’s true guitar genius is evinced with Sea Board Stomp (perhaps the basis for some of Big Bill Broonzy’s “stomps”) where, not satisfied with emulating instruments like cornet, saxophone and trombone, he also treats his audience to a lesson in the syncopations of Dixieland Jazz.

Rush - Hemispheres (40th Anniversary edition, 2 CD, 2018/FLAC)


 Hemispheres is the sixth studio album by Canadian rock band Rush, released in October 1978 by Anthem Records. After touring to support the band's previous release, A Farewell to Kings, during which the group gained popularity in the UK, Rush started work on their next album. As with the band's previous studio album, Hemispheres was recorded at Rockfield Studios in Monmouthshire and Trident Studios in London with longtime engineer and arranger, Terry Brown. Rush continued its progressive rock sound with the side-long "Cygnus X-1 Book II: Hemispheres" and the nine-minute instrumental "La Villa Strangiato". 

The album was re-released in various expanded formats on November 16, 2018 as part of the band's ongoing 40th Anniversary editions, including the previously unreleased live set by the band at the Pinkpop Festival from June 1979.