THE COMPLETE ELVIS PRESLEY MASTERS is a triumph of musicology: 711 masters in the order in which they were recorded. Every song Elvis recorded for release during his lifetime in a single unique collection, mastered from the original analog master tapes where available using 24-bit technology for greater sonic resolution and dynamics. Also included are 103 rarities: additional masters, alternate takes, session outtakes, demos, rehearsals, live performances and radio recordings. Over 35 hours of music. This is the definitive collection – a magnificent audio chronicle of the inspiration, pain and genius that make Elvis the world’s most enduring musical and cultural icon.
VA - Too Late, Too Late - Newly Discovered Titles & Alternate Takes (13 CD, 1993-1999/FLAC)
This is a logical series for the Austrian Document label. The company's goal of reissuing every single prewar recording has resulted in hundreds of valuable CDs being reissued. Inevitably, there were new discoveries of music after the fact, so this series consists of previously unreleased titles, alternate takes, and discoveries.
Quiet Riot - Original Album Classic (5 CD, 2015/FLAC)
1983 - Metal Health
1984 - Condition Critical
1986 - QR III
1988 - Quiet Riot
2010 - Set List - Quiet Riot (Live)
VA - Love For Levon : A Benefit to Save the Barn [2 CD, 2013/FLAC]
Levon Helm was arguably the heart and soul of the Band,
and his back-porch Arkansas drawl gave many of the Band's best songs
their strong sense of history and character. He was a remarkable
vernacular singer in a band that had three of them (Rick Danko and
Richard Manuel also knew how to put heart and soul into a song), and the
Band, thanks in no small part to Helm, essentially put the Americana
genre on the map in the mid-'60s. Helm's death in the spring of 2012
from throat cancer stilled that voice, but as this warm, redemptive
tribute set shows, failed to take away the warmth, wisdom, and vision of
that voice. Helm started his famous Midnight Rambles at his rustic
studio in Woodstock, New York in 2004. These were loose and intimate
shows where local musicians and whatever musicians happened to be
wandering through would play and jam to a small audience (some 200
seats), usually with Helm sitting happily behind the drums.
Subscribe to:
Comments (Atom)




