Spafford - 2021-04-20+21 Marquee Theater, Tempe, AZ [ALAC]

 Spafford

2021-04-20-21

Tempe, AZ


2021-04-20 Tempe, AZ @ Marquee Theater

Set 1
The Postman, Parody, Plans [ 1 ], Ain't That Wrong, You Don't Know How It Feels
Set 2
When It Falls > Comfortable > Virtual Bean Dip > The Other One > Electric Taco Stand, Break My Stride
Encore
Galisteo Way > Virtual Bean Dip
[ 1 ]: With Workout Mike Jam


2021-04-21 Tempe, AZ @ Marquee Theater

Set 1
In The Eyes Of Thieves, Dreams, Night After Night, Soul To Squeeze, It's A Bunch, Levilan Shores
Set 2
Fünkenseven, Slip And Squander, Leave The Light On, The Man, Dig Down, Salamander Song
Encore
America, Hollywood > The Reprise



Classic Jazz : Encyclopedia of Jazz [100 CD, 2008] CD 51-60

 






CD 51: Earl Hines
CD 52: Duke Ellington (1928)
CD 53: Duke Ellington (1929)
CD 54: Duke Ellington (1930)
CD 55: Charlie Johnson
CD 56: Duke Ellington (1931-32)
CD 57: Joe Venuti & Eddie Lang (1926-28)
CD 58: Joe Venuti & Eddie Lang (1928-31)
CD 59: Eddie Lang
CD 60: Eddie Lang, Lonnie Johnson 

The Cult - Love (4 CD Omnibus Edition, 2009)

 

The ultimate version of one of the greatest British rock records of the 80s.


Despite the heady heights of success scaled by The Cult during the arena rock years from 1987 until their break-up in 1995, their second album Love is by far their best. Originally released in 1985, there simply isn’t a bad song on here, and evergreen rock anthems such as Rain and the iconic She Sells Sanctuary are probably their best known and best loved tracks.

Love could arguably be called a transitional album. The band’s first effort, 1984’s Dreamtime, was rooted in the emerging post-punk and goth-rock underground scene. Love represented a quantum leap forward, but their sound had yet to be distilled into the pure hard rock of 1987’s Electric. Ian Astbury’s soaring vocals remained much the same, but Love introduced some Led Zeppelin-sized ambition and sonic scope.

Lizzie Miles - Complete Recorded Works In Chronological Order (1922-1939) Vol.1-3 [1996]


 Lizzie Miles was the stage name taken by Elizabeth Mary Landreaux (31 March 1895 – 17 March 1963), an African American blues singer.

Miles was born in the Faubourg Marigny neighborhood of New Orleans, Louisiana, in a dark skinned Francophone Creole ("Creole of Color") family. She traveled widely with minstrel and circus shows in the 1910s, and made her first phonograph recordings in New York of blues songs in 1922 – although Miles did not like to be referred to as a 'blues singer', since she sang a wide repertory of music.

In the mid 1920s she spent time performing in Paris before returning to the United States. She suffered a serious illness and retired from the music industry in the 1930s. In the 1940s she returned to New Orleans, where Joe Mares encouraged her to sing again—which she did, but always from in front of, or beside the stage, since she said she had vowed in a prayer not to go on stage again if she recovered from her illness. Miles was based in San Francisco, California in the early 1950s, then again returned to New Orleans where she recorded with several Dixieland and traditional jazz bands and made regular radio broadcasts, often performing with Bob Scobey or George Lewis.

In 1958 Miles appeared at the Monterey Jazz Festival. In 1959 she quit singing, except for gospel music. She died in New Orleans, from a heart attack, in March 1963.

Derek And The Dominos - The Layla Sessions 20th Anniversary Edition (3 CD, 1990/FLAC)

 The Layla Sessions: 20th Anniversary Edition (or The Layla Sessions) released September 1990 is an anniversary remix of the 1970 Layla and Other Assorted Love Songs album by Derek and the Dominos. The album contains the original album, remixed to improve audio quality, and, in the 3-CD edition, two extra discs of unused alternate and incomplete masters of the original songs and studio jamming. The box set was designed by Mitchell Kanner.